What the Pictures Don't Depict

 

                                                                                                     Gary Melchers

Most of the Nativity scenes we have come to know,
those pictures of Mary looking rested,
confident and clean,
serene and smiling,
looking comfortable...
They don't depict the weariness,
the immobilizing exhaustion of
hard labor,
nor the
all-consuming effort
it takes
to push a baby out into this world,
nor the blood and
amniotic fluid,
nor the expelled placenta 
that needed to be cleaned up
after the birth.

Those scenes the artists render of
spotless robes and a 
tidy stable (or cave) with cozy light...
They don't depict the manure on the floor,
nor livestock urinating into their bedding,
as livestock are prone to do,
nor the interior's darkness illumined only
by candle light,
nor the fear of being stepped on
during and after
giving birth.
Surely there were mice in the straw.
Were there rats?
Did Mary nervously notice 
every sound of scurrying
around her? 
How did she ever sleep?

Of course the baby would be laid 
in the feeding trough.
Where else?
Set up off the floor, the safest
and cleanest spot
available.
Were there cows?
If so, perhaps they
ambled over
to the manger,
as cows are prone to do,
to sniff, and lick,
and welcome Jesus
as the new baby in their midst.
Did Joseph's role include
keeping
a wary eye on
the attending animals'
curious attention
to his
newly-born son?

This historic birth was
far more miraculous than we,
in our day and age, 
might readily imagine.
Jesus survived.
So did Mary.
And all the detail not depicted
in the artists' renditions
makes Mary 
one of us.

And makes Jesus, whom she bore
by the sweat of her brow,
one of us.
One with us.
Emmanuel.

Dawning

 

Frozen ground and frozen fingers
fumbling with latches
that secure barn doors
against the night,
sluggish opening
to the day
still shrouded
in darkness.

Frozen, nervous,
on high alert,
they assess the danger
of an unseen threat
beyond the fence line,
measuring their safety
inside a boundary
long ago erected
for their
protection.

Frozen water in the buckets,
frozen longings
in the soul,
desperate to know what
is real,
to see beyond the murkiness
of the what-if,
to know the safety
of an eternal
enfolding,
unfolding,
grace.

Yet, into the grip
of the unknown,
into the immobility
of our fear,
into our frenzied
effort to escape
the dark,
eventually,
finally,
always, 
the dawn.